Covid Pandemic 2nd Anniversary | The End Of Cinema (again) Or Its Glorious Rebirth?

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48 hours before the theater's release, Raver Singh 83 (December 24, 2021), led by director Kabir Khan and producers Dipka Padukone, Sajid Nadadwala and Vishnu Vardhan Indura, was skeptical that anything could happen. . “Unmanageable” has changed, but “Hold your finger” and it was too late to look for the next safe window for box office success because it kept being released. Things are really going down. The day after the film was released, Gujarat, Haryana and Uttar Pradesh announced that it was overdue. Four days later, Delhi Prime Minister Arvind Kjerial announced the closure of cinemas. Provinces such as Kerala, Rajasthan, West Bengal, Punjab, Karnataka, Tamil Nadu and Uttar Pradesh have followed suit, with the theater’s duration limited to 50%.

AD. Counter on a regular basis. Khan also has a corporate identity: big, lively and full of Pan-Indian emotion and humor. The film manages to raise Rs 108.97 crore worldwide - a relatively small amount compared to previous box office hits and Bollywood star films.

A few days before its publication, Boston Consulting Group (BCG) together with the Indian Confederation of Industry (CII) published a report on MIA for 2020 in its annual MIA report "Light, Camera, Action ..." According to the report, the new limit is clearly OTT . During the outbreak in the second, third and fourth tier cities, 1.5 million new OTT users were registered compared to Metro and tier one cities. At the opening, Roy Caper, co-chair, co-chair of the CIA National Media and Entertainment Committee, President of India, Association of Producers and Managing Director of Roy Caper Films, said: “Entertainment remains one of the basic needs of humanity. . This year, one distribution system is drying up and another is waiting to open. He even mentioned the closure of cinemas - According to Ernst & Young, by 2020 there will be 9,527 halls in India, of which 6,327 single-screen cinemas and 3,200 multi-screen, with about 1,000 halls closed by 2020 - and OTT moment to destroy the Indian taste and digestion.

Every type of recorded “content” falls into the OTT. A Netflix spokesman said: “As we know, in prison, when life stops, stories become the only window into the world that we know and feel connected to. We are very pleased that so many people in India and around the world are turning to Netflix at this difficult time to find and weaken this connection. The years of the epidemic were funded by the Spaniards, a squid game in Korea, a student of Marathi and Minal Moore Malayalam, all on Netflix. The spectrum of English and Hindi content explodes with big action movies and small action stories. Such examples are available at every major OTT forum. In India, viewers still choose movies online. "Our participants in India love to watch films. We have the opportunity to show a wide range of films from different parts of the country due to the constant and increasing development of films in different local languages," he said. 10th place in the world, and red is the most popular red car Netflix named in Hindi, Tamil and Telugu.

It is clear that digital technology and OTT discriminate against millions of people around the world.

In the film industry, as in the film industry, people need to be close to each other. This community and collective experience make films a comprehensive and valuable art form. Pauline Kell, a well-known American critic, wrote in her famous book, Tress, Art and Cinema:

Cinema is one of the few industries in the world, and it is truly global. Studios and production companies have offices and collections in different countries and are looking for staff and skills to travel between countries and continents. Most Hollywood productions are based on multiple locations and from local sources with 2-3 hours of film. The latest James Bond film, released in November 2021 worldwide, was shot, for example, in the UK, Italy, Jamaica and Norway. The epidemic seems to confirm that these traits will lead to the end of the film’s experience.

Like all human efforts, Covid-19, as we know it, destroys film. At least for the last decade, the film industry seems to be in decline. The MPA Association in the United States released its annual TEMA report in April 2020 - Annual and Internal Analysis of the Theater and Home Entertainment Industry. International Findings By 2020, the global home theater / mobile cinema and entertainment market was $ 80.8 billion, the lowest since 2016 and 18% by 2019. The biggest drop was in theater revenues, which reached $ 42. 3 billion in 2019. About $ 12 billion by 2020. Theaters generate only 15% of global entertainment revenue compared to 43% in 2019.

The first year itself was marked by the collapse of hundreds of films in the crown, the closure of production companies, the abandonment of filmmakers in Mumbai and the launch of small independent projects in his hometown and other cities. Production of major tickets such as Amazon Prime Video, presented by Akshay Kumer and Goodbye Amitab Bachchan, has been discontinued. The release of Salman Khan Rada on the feast of Eid The highly sought after Bhai Bhai was canceled and later broadcast. A spokesman for the Indian Producers Association said about a million people are directly or indirectly employed in the film industry. About 35,000 day laborers were seriously injured. Over the past two years, hundreds of single-screen cinemas, ready to become a symbol of cinema, have closed forever. In the years leading up to the catastrophic closure of the Churchgate icon, Chitra de Dadar and Eros, Central Square, opposite Subgenia Church, had found another way to adapt to the changes of South Mumbai’s theater. They have been closed for the last decade, such as Naz, Apsara, Novelty, Shalimar, Minerva and Swasti.

In the first year when the government lifted restrictions on recording, the product worked with a small group. The Department of Health and Welfare has become the norm for most seedlings, and every two days some seedlings are tested, budgets are increased. He recalled that Conca and Saint-Sharma, who played the main characters in the entertaining film "Rape" directed by Apara and Sena, which caused applause, were considered "limited" during the outbreak. “The biggest obstacle for an actor is communication. Sometimes the relationship between director and actor can be easily defined in different ways. So they can make masks and limit the distance. " , Cameraman Manoj Lobo shoots Anshuman Churan Chandigarh Kare Ashikin December issue of Boxing Bureau for 2021, which was not a success, but received much praise and admiration for its release on Netflix. The local operator had to give proper instructions for the promotional music video that comes with the living room: “He’s sure. He spent two months in Chandigarh Chandigarh Kare Ashiki with a small staff. I evaluate these two years positively. Over the years, we have learned to make movies. I had the experience to do my best. This is a very small but very important lesson, ”Loba said. Great pressure on people, but our team can still write, produce and present over 20 scenes in the last 2 years. "The use of remote technologies is changing us." Cultural approaches and group approaches.

Mumbai Film Brotherhood wasted no time because the amount of omega-less decreased. Cinematographers, directors, technicians and actors are shooting - some of the unfinished projects that started before March 2020, and many new projects. The film studio is already busy for the next few months. “The text on the wall is very clear,” said Kamal Gianchandani, CEO of PVR Pictures. People want to go back to the movies. At least one new release should be released each week for the next 18 months. In the last 7-8 years it has been an unprecedented business. The theater has had a greater impact in the last two months than in the last two years. Since March 2020, about 75 films have been released in Indian cinemas compared to 1,800 in the decades before the plague. Nearly 1,000 screens were permanently closed across the country in the first year of the epidemic. According to boxofficeindia.com, Suryavanshi ranks fourth in box office, followed by 196 crore rupees (November 5, 2021), and Ganbai Katyawadi is expected to reach 100 crore rupees plus rupees. . 115 crowns (February 25, 2022), Antim - Truth in the last resort (November 26, 2021) for 38 crore rupees and Bell Bottom (August 19, 2021) for 32 crore rupees. The Hollywood Tent has helped preserve India’s box office. "Spider-Man: No Way Home" (December 16, 2021) earned 202 million rupees, and "Batman" (March 4, 2022) has currently earned 24.25 crore.

These are the first days when they return to normal life - in cinema and in human experience. “Going to the movies” is more expensive than watching the movie you chose today. This is a place where you can now watch theatrical costumes and eat popcorn masks. It is a return to the normal state of happiness that comes from friendship, love, movies and family programs. But by buying tickets for the film and its creators, we are returning to consumers who are really commenting and making a real and tangible impact. Will Batman, cultural influence and social commentary be the same if it is released on the OTT platform? Maybe not.

A great work in all kinds of art often and at any time goes to the heart of any system, and as the plague stimulates creativity and imagination - as a creative mind alienated for two years, and human suffering and loss unprecedented in nature. As a result, the way the epidemic has left its mark on the film industry has become a reliable indicator. Director and actor Saint-Sharm is looking forward to the epidemic itself becoming part of our film vocabulary. “I wonder how much we represent Kovid in our film. In most films, we have not mentioned it - as a background or the basis of the plot. It will be interesting to see how creatively and creatively we present the epidemic, ”he said.

The history of the film industry is also the history of different production models. And all this, movies are being made for the theater, and people are going to the cinema. The Internet has changed the way we treat other people, read, play and watch them - especially during a pandemic. But most of all the experience of undressing in recent months tells us that the Internet is not enough. And films play a big part in how we use the stories that opened the epidemic to writers and directors, and the years later when we understand the epidemic.

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